Vivek Athreya’s new mass avatar banking on Dasara’s proven Massy Nani powered with Jakes Bejoy’s massiest background score is a true commercial action drama tailored
Saripodhaa Sanivaaram (2024): Perfect Combo Delivers True Commercial Cinema. Read More »
After a very long time, we get to see Rao Ramesh’s comedic timing and one-liners. But, ruined by the rest of the cast’s misplacement of
The Bandi Saroj Kumar’s feature film after viral one-man show Youtube hits, Nirbhandam (Part 1 & 2) and Mangalyam, is an impressive massy non-adult story
Parakramam (2024) Review: Impressive Indie Mass Movie that Deserves More Screens. Read More »
Yes, we are kind of tired of the sequel-based Cinematic universes. Yet, we love to watch this Demonte Cinematic Universe that just increased the scale
Demonte Colony 2 (2024) Review: Bigger, Louder, Scarier, and Better. Read More »
When the first part of Stree was released in 2018, it was praised for its successful implementation of the horror-comedy genre. Stree 2 raids on
Stree 2 (2024) Review: Tried & Tested Formula with a Message & laughs Read More »
Puri Jagannath is one of the most revered film makers of yesterday. It makes me stop typing for a moment and reflect on when I
Double Ismart (2024) Review: It’s Heartbreaking to See Puri’s Gradual Fall. Read More »
The veteran Dada Saheb Phalke awardee LV Prasad’s fourth movie as a director, Mana Desam, is the first movie to be made on Nationalist sentiments
Harish Shankar’s love for commercial cinema can’t save Mr. Bachchan. The commerciality of punch dialogues before and after energetic slow-mo fights are fun to watch
Mr. Bachchan (2024): Entertaining First half, Ignorable Second half Read More »
Anurag Paluta’s debut feature for Etv Win is more about the emotions of a dysfunctional family than the joyful fun moments that are thrown to
Niharika Konidela’s debut as a producer of a feature film and Yadhu Vamsi’s debut as a writer-director relies heavily on triggering the lost romantic nostalgia
